All Through The Night (Cyndi Lauper)
Ethereal electro-pop is a fairly loose term being bandied about at the moment. The resurgence of this reincarnation of early 80s synthesiser music has arguably been spear-headed by the Winding Refn film Drive. On this soundtrack, Refn invited Cliff Martinez to revisit the score he produced for the 1989 Steven Soderburgh film Sex, Lies, and Videotape. However, the sound emanating from Martinez‘ work goes back almost another decade: which brings us to All Through The Night. This song was written by Jules Shear -a modest 80s music producer that is also credited with the creation of the MTV Unplugged series. He wrote All Through The Night for The Cars and although they recorded the folk ballad, they did not release it on their Heartbeat City album, nor as a B-side on their Drive single. Shear, however, did his own recording and released the song on his 1983 solo album Watch Dog. The next year, following a failed collaborative effort between Lauper and Shear, Lauper decided she would record an unrevised cover of the song. During the recording sessions at NYC‘s Record Plant the track began to take on a new form and was completed in a style that epitomises the early 80s synth ballads which, as mentioned, seem to be experiencing a revival of late. Have a listen to this live version from 1984:
Brendan Lee
Brendan Lee is an Australian Photographer and Video Artist from Victoria. His works are mainly centred around Australian identity and the colloquialisms associated with the urban ‘bogan‘. Brendan has recently achieved success in his 2011 show Australian Days at the CCP (Centre of Contemporary Photography), and with the release of his book Bogan Proof Fences. The book is a complement to his next show (of the same title) running from the 1st March until 25th march at The Substation 1 Market St. Newport.
INFX caught up with Brendan in this interview (of sorts) yesterday:

brendanlee.com
Aeon Oner
Aeon is one of Europe‘s emerging Street Art talents. His styles range from blockbuster through wildstyle and the abstract. This Belgian-based graffiti artist has joined the ranks of those giving hard evidence to INFX about their exploits and endeavours:
INFX: Quelle est la force de la scène graff en Belgique?
Aeon: She is very diverse, we may as well hold back the [old] school, new school, the organic or wild style. Given its industrial past, Belgium has many abandoned buildings, which allows us to move on surfaces diversified and come to the frescoes of [many] sizes. Many more urban festivals are based on the graffiti which allows us to showcase our style.
INFX: Je suis creuser votre plateau de skate. Y a-t-il un intérêt à travailler avec les marques de skate locales ou grand?
Aeon: Yes, because it could lead to changing the image of the skate by the combination with graffiti; it could breathe new life into the movement. It is also good to work with both: local stores allow us to share in the region while industrial [companies] open more doors. I have a preference for the more industrial, but I do not neglect the local stores.
INFX: Quelle est la chose la plus effrayante qui soit arrivé à vous tandis que la peinture?
Aeon: One night on the subway lines, marking a room in elevation with the aid of a ladder. My hand touched the high voltage line and 1,500 volts went through my body; I think it’s my most frightening. I know I got lucky.
INFX: Où habitez-vous? Avec des amis? Dans la ville? Banlieues?
Aeon: I rent an apartment in the city alone.
INFX: Dans un (ou deux) mot, comment qualifieriez-vous décrit votre art?
Aeon: Aggressive and malleable. I want to make a dedication “13, GAV, AKF, D2K, P50, B80, V2T… and everyone I do not have room to quote because the list is long…
THANK YOU
Oui -un grand merci à Aeon et son posse! Voir les vraies affaires. Regarder les photos:
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www.aeon-oner.com
Parecon
Participatory Economics (Parecon) is a contemporary school of socio-economic thought that seeks to change the way capitalism functions in Western liberal democracies. The movement seeks to reform the current state of the capitalist functionary system and alludes to re-distribution of wealth systems. This notion of reform perhaps addresses what a vast number of people reflect upon nowadays; i.e. Why do the CEOs of large companies earn such ridiculous salries? Why do politicians constitute the failed ambitions of lawyers, business ‘leaders‘, and political hacks? And why do our public institutions suffer for lack of funding and educational resources (eg. underpaid teachers)? And, Is the state of the environment subject to the whim of GDP and profit-margins in private enterprise? Parecon seeks to address these apparent failings of the present state of capitalism. The movement has recently been afforded a boost in the wake of the GFC and current Eurozone crises. Its‘ stated values are:
- Solidarity: people caring about one another and being social in their inclinations
- Diversity: having varied options and outcomes
- Equity: having fair distribution of wealth, income, and also circumstances
- Self-management: people having a say over the decisions that affect them in proportion to the extent they are affected
In all, the Parecon movement seeks to create a more regulatory approach to economic advantage; while enhancing the notion of social inclusion. This matter of ‘social inclusion‘ is currently causing confusion in Canberra but I would assert that it harks back to democratic-socialist policies that have their roots in scandanavian socio-political thought: that is, to foster community development (which may well translate to increased funding). However, it is important to note that Parecon has yet to define itself politically; contrarily, though, that is cause for joy as it invites input and discussion from all walks of life. Perhaps one to look at if you‘re interested in econmonics, society and political thought?
At the back of Communism by M T Walker.
Iepe Rubingh
Iepe Rubingh is a Dutch installation and performance artist. He currently lives and works in Berlin and has been a practicing artist for just over a decade. He‘s renowned for his The Joker Performances whereby he has shut down and disrupted traffic at busy intersections around the world. One such production caused traffic gridlock in Tokyo; for which he receieved a jail sentence of 10 days (which he had no choice but to serve). Below is a video from his 2010 Painting Reality series. In this video some 500 Litres of water-based (non-Solvent) paint is splashed over the Rosenthaler Platz in central Berlin. The resulting artwork serves as both a nod to Action Painters such as Jackson Pollock; but also invokes questions about the environment. However, despite its‘ overt political overtones; this artwork is splendid to view:
http://www.iepe.net/
The Road to Gundagai
Gundagai (population 2,000) is located on the M31 Hume Motorway and the Murrumbidgee River, almost half-way between Sydney and Melbourne. Despite its modest size this town continues to recieve notoriety; both as a focal point for Aboriginal political thought, and as inspiration for Australian artists -being the epitome of rural Australiana. The area is home to the Wiradjuri people and has long been a significant place of Aboriginal custom, and throughout the 20th Century as home to indigenous political movements. Of these, the late ‘King Billy‘ and his quest for Aboriginal self-determination is significant. As an Aboriginal Elder, he joined John Noble under his anglicised named Jimmy Clements in the entourage of the Duke and Duchess of York (subsequently King George VI and Queen Elizabeth respectively) to open the new Federal Parliament House, Canberra in 1927.
Below are some images captured of two of the historic bridges that span the Murrumbidgee and its flood plains. They picture the 1867 Prince Alfred Bridge that is sadly falling into a state of dire disrepair, and the Gundagai Rail Bridge over Murrumbidgee River which is a railway bridge dating from 1902.
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Photographs by D. Royce Walker & M T Walker.
Southside Vintage Market
The monthly Southside Vintage & Handmade Market operates out of St. Kilda and environs, and is held on the 2ⁿᵈ Sunday of the month. Alongside the many retro & vintage fashion stalls; the market exposes you to unique, artisan jewellery and accessories. Created by Fin Ola and Anne Freeman (also of Pigeon English), it is most worthwhile to enjoy a visit browsing. We asked the adorable Fin why the Southside Market is so wonderful:
INFX: You run the Southside Vintage Market -what makes a fashion item vintage?
Fin Ola: Anything as old as …well …old mate Henry VIII, and then to early 90s Will Smith/East 17 era. But just because you don‘t don your early 2000 Gasp or Supre dress anymore, doesn‘t mean you can palm it off as a vintage item.
INFX: 90s Nike blazers can cost up to $150 -what‘s the go there? What kind of price would we expect from Southside?
Fin Ola: Our stall holders are very reasonably priced; clothing and accessories range from $5/$150. You‘ll find a lot of stalls have sale items such as $5/$10 bargain baskets. We also have sweet treats selling for as little as $1!
INFX: So a Nike blazer could be anywhere up to $150, eh? Anyway, was it hard squeezing your way into the vintage and/or market scene? And what makes Southside successful?
Fin Ola: Anne & I both live Southside, where there is a lack of markets. Therefore [we thought] why not create one? We strongly believe in making it a friendly market [and] everyone has huge smiles on their faces; it‘s a little contagious. We also have such a fantastic & wide range of stalls to keep all entertained. We‘ve had a great start and are really lucky.
Lovely, and perhaps our readers can get lucky too! Score a bargain at the next Southside gig (which is a night market):
24ᵗʰ January from 6pm at 29 Apartment, St. Kilda:

Check out the facebook event for more details.
El Mac
I‘m not hugely into graffiti art, but every once in a while an artist will grab my attention and remind me why spraypaint is so versatile to work with. One such artist is Miles “Mac“ Macgregor, better known by his pseudonym El Mac. Hailing out of Los Angeles, El Mac has become an established name in the street art community and has an incredible repertoire of murals all over the world. His styles and methods are as flexible as his canvas, creating a number of pieces on both brick and paper, using spraypaint and brushwork. Most notable is his distinct style of grooving line patterns through the images to create a “lines in the sand“ effect. The result is nothing short of astonishing, and his latest work for purchase titled The Prayer demonstrates his ability to create a flood of emotion straight from the canvas. Watch out Banksy, there‘s a new kid on the block!

www.elmac.net/
Two Women (Sophia Loren)
What better way to start off the new year than with a full-length, classic feature film?
Sophia Loren stars in this 1960 cinematic gem by one of Italy‘s most successful and prolific film-makers. Vittorio De Silva (Bicycle Thieves, Generale della Rovere) wrote the screenplay and directed this film during the height of his career. It again visits his common thematics: namely in the tragic framing of love, sex, and courage amidst a setting of adversity. The film was highly contentious at the time of its release as it contained imagery considered highly graphic at the time. Loren recieved a Best Actress Oscar for her role; the first time a foreign film had recieved the honour. The 25 year-old had until this point been a sucessful model, but had acted only in minor roles. The film marked a turing point in her career; as she shot to International stardom after Two Women and its‘ Hollywood acclaim. Enjoy.
KCTV Report: Kim Jong-il Dead
Video from the official DPRK News Agency KCTV reporting the death of the Great Leader, Kim Jong-il. Presented by a KCNA official newsreader clad in black, she is clearly emotionally devastated and besot by tears of unimaginable grief.
Alberto Nolac
We hit Signore Alberto up for a quick Q&A the other day and the man was happy enough to share his thoughts with us. Here we have one of the best in the business: a heavyweight of the European graff scene in general, and Italy in particular. Nolac comes from Vicenza, a pretty hip-to-the-game town between Verona and Venice, in Italy‘s Veneto region. He recently kicked some arse in the global Meeting Of Styles event, this year hosted by Venice.
INFX: Was this year‘s Meeting Of Styles in Venice the first time you‘ve participated in MOS?
NOLAC: No, I‘ve been taking part to MOS since 2003.
INFX: Cool. Have you travelled with your art very much?
NOLAC: Yes, I travelled a lot. I‘ve been all over Europe and I had the chance to meet and paint with some of the most influent people involved in the graffiti world. In the 2010 I took part in an exhibition with the legendary Martha Cooper and in 2011 with the master T-Kid.
INFX: Martha Cooper, Eh? That would‘ve been a real privledge. You use various monikers including ‘SHOW‘, ‘TACO‘, and ‘ABE‘ (among others) -why do you write so many different names?
NOLAC: I write several tags because it‘s useful to improve my skills and to develop my own style. Sometimes it‘s even boring using and writing always the same name.
INFX: Nice, mix it up a bit… You‘ve been using Ironlak a bit but do you really think it is the best paint? What are your favourite cans?
NOLAC: Sometimes I paint with Ironlak. Most of the colors are nice and the pressure level is as good as the old Montana Hardcore. They are very clean.
INFX: Where do you see yourself (and your art) in 5 years time?
NOLAC: Honestly I don‘t know. I have no plans, I mean, I‘ll be painting for sure but graffiti is not my job, it‘s just a hobby.
Recently I haven‘t been painting as much as in the past because my job get me very busy. By the way graffiti is and will always be a need to me.
Frrresh! A big thanks to Alberto for taking the time out to chat.
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Other Cinema
Hailing from San Franciso‘s Mission District Other Cinema (or ‘OC‘) is an alternative film & video production, performance, and distribution network that brings a voice to the Media Arts community. This counter-cultural outfit has been operating for nigh on 30 years, and it continues to spearhead Fine Arts film-making. Craig Baldwin established this vanguard of ‘underground cinema‘ under a range of names from 1978, because he “didn’t see anything coming up from the ground that ended up on the screens”. Since then, OC has developed into an artistic collective led by a dedicated team of curators and artists. Other Cinema continues to enhance Film & Media Arts projects in the Bay Area; which of course flourishes elsewhere due to the renowned esteem of OC.
Currently, Other Cinema is in the midst of a Benefit initiative, to raise money for their operations. As part of the fund-raising effort, they have compiled the video below, to engage with the public in what the OC has going on:
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The M31 Hume
The Hume Freeway is the jewel in the crown of Victoria‘s road network. This arterial runs from the M80 Western Ring Road in Melbourne‘s North, to the New South Wales border at Albury-Wodonga, where the road continues as the A31 to Sydney. This freeway provides an uninterrupted dual-carriageway road along its entire length; after numerous rural city bypasses were constructed. The upgrade project was completed in 1996 with the Wangaratta Bypass section. The freeway was named in 1928 after Hamilton Hume (1797-1873), a famous explorer in the early 19th century who in 1824 (with William Hovell) first found an overland route between Sydney and the newly established colonial outpost of Port Phillip -the original name of Victoria.

Cosmic Nature – Beastman
Organic, geometric and full of magic, Beastman lets you see through the cracks. With a style that could easily be compared to the spiritual and visceral art of ancient religions, his work is simply mind blowing. In his solo exhibition ‘Cosmic Nature’, Beastman explores the nature of our reality and how small we really are on a cosmic scale. What this man can do with an aerosol can, will never cease to amaze me.
An exhibition of new paintings, Cosmic Nature opens this Thursday 8th December at 7pm and continues until 18th December at Kind of Gallery, Darlinghurst.
www.beastman.com.au/









