Monthly Archives: May 2010
The Beat Invitational
Braving the storms of a previously excessive foray into the night until morning, I was joined by some outrageous and tender-hearted friends to check the Producers Showcase at Roxanne.
Although arriving after Cinderella got home from the ball, live art was still in effect by the “insanely talented” Otis Chamberlain and the mad bass of hip-hop fused dubstep was on the make. Featured producers included Dizz1, Sean Deans, Cosmo, Mike Kay, and Chopper whom were “showcasing their latest creations and unleashing their unreleased beats …the future sound of Australasia’s beat heads”
Obey, Ableton Live, and Jazz Crimes presented the freshest dope music-makers dribbling beats and boinks in an ensemble of the next musicological greats. Check the art below by the crafty and guilely Otis Chamberlain, complemented by breaks from ITF Champion and X-Ecutioners DJ Total Eclipse on the night:
-Rock The Boat
Please Come In
This Friday launches the Gert Gallery bonanza ‘Please Come In‘ -with 9 artists vying for visual supremacy at the humble 1800s Hyde Street residence, curated by Gert Geyer.
Your host appears among the artists in this smorgasboard of visual treats; encompassing themes of woman alongside refined skills from the featured visual arts set.
-Rock The Boat
Zevs
Somewhat like the Invader -whom we featured a few weeks back, Zevs (Schwarz Christophe Arhirre) is a French street artist that gained prominence during the late 90s in Paris.
He takes his moniker from the name of the commuter train ‘Zeus‘. Working with the aforementioned Invader and André; he helped pioneer the French street art scene. Initially targeting the walls of Montmartre with graffiti and ‘shadows’ of the Eiffel Tower, he was also notorious for hitting billboards -with throwies and also defacing and modifying the advertisements.
In the last 5 years, Zevs has moved forward in his approach to the fine arts; implementing new socio-political themes & techniques, including installation pieces. His works are highly sought after and works can cost in the range of $10,ooo. Zevs has recently established a series of productions named “Liquidated Logos” whereby he creates disfigured representations of corporate logos such as Coca-Cola, Chanel, Gucci, Playboy etc. This project comes immediately after his arrest last year in Hong Kong, which was a fitting end to his 7-year “Visual Kidnapping” campaign whereby he would remove, for example: a photo of a model from a huge billboard and demand a ransom to return the image.
He is currently part of the Lazarides artists group that includes greats such as Futura, Mode2, David Choe, Invader, 3D, Banksy, Jonathon Yeo, Reas and Faile.

It’s A Wonderful World
-Rock The Boat
Kid Koala
Yes,
It is Friday evening here in the Antipodes and although I’ve been quarantined amongst the Digital Cinema Compliance appendages, I have dug up a lovely musical event for you all to peruse and enjoy. Dim the lights, Maestro!
Kid Koala (AKA Eric San) is a native of Montreal; he writes graphic novels and narrates them with his scratch-sonic soundtrack. He’s a turntablist and producer, debuting on Ninja Tune with the 2006 release Your Mom’s Favourite Dj. He was integral in the production of Deltron 3030 alongside Del the Funky Homosapien and in Mike Patton projects Lovage and Peeping Tom.
He’s touring currently -playing in Melbourne this Wednesday night at The Corner Hotel in Richmond. He is presenting ensemble act THE SLEW; of which his website alludes to “a puppet musical about a robot who works at a cookie factory (complete with turntable orchestra pit), a quiet-time headphone / beanbag tour for the non-dancing listeners, and a hilarious Roller-rink tour which should be fun for the whole family” (kidkoala.com).
Imogen Heap
Matters of the heart have never been easy subject matter for me. When a conversation about the heart surfaces, I will only have two kinds of opine: positive or negative.
As a music junkie, I always have my soundtrack for things: be it good things or bad in my life. Music will always be supreme in expressing one’s feeling and it’s so close to real life; a composition will connect with one’s heart no matter what. I won’t talk about songs that may represent the good things; here is a lovely song that I’d love to hear thousand times when I’m in a bad state of mind.
I love this song a lot, it reflects the condition of this chaotic heart of mine.
Pain on pain on play, repeating
With the backup makeshift life in waitingEverybody says that time heals everything
But what if the wretched hollow, the endless in-between ?
Are we just going to wait it out
I heard this song for the first time during Imogen’s Live concert in Jakarta. Imogen Heap, as a well-talented singer, is really successful in singing this bitter song in a really wonderful way.
The concert was just amazing. All songs were performed in a strong and stable voice. She also did a good job binding the emotional feeling between the songs and the crowd. I can only sum up the concert in one word: fantastic. Previously, Imogen joined a British electronic music duo named Frou Frou and a multi-cultural British experimental pop band named Acacia. In her solo career, Imogen specialises in heavily produced and arranged singer-songwriter pop -incorporating elements of rock, dance and electronica. She’s famous for her skills in using manipulated electronic sounds. She performs all of her songs in a unique way; she sometimes tries to mix ambient sounds into her music. No wonder that she was nominated for two Grammy Awards in 2006 and also recieved 2 Grammy nominations -winning Best Engineered Album, Non-Classical for her latest solo album in 2009′s Ellipse. When it comes to Imogen, it’s always magic.
-Blommer22






