Category Archives: Politics

CLASS at Seventh Gallery

Class

Opens Wednesday: 17th April - Show runs until 4th May

Seventh Gallery, 155 Gertrude Street Fitzroy, from 6pm

This video installation is a representation of the confines of class in society; the footage from beneath freeway junctions typifies a perceived structure (or mechanism) of authority and labour. It is also analogous to the notion of aglass ceilingor typical confines that are prevalent between the status quo and those emanating from lower socio-political groups.
The video offers a visually appealing set of moving images that are complimented by ambient sound.

Sound and Video: M T WALKER

Margaret Thatcher (1925-2013)

Margaret

What else might be levelled at this former UK Prime Minister apart from miserable and machined governance? Answer: She was a great leader. Maggie emerged as a supreme instrument in maligning the union-empowered worker; particularly in the late 1970s. Supporters of the worker equate her rule with loathsome policy and exploitative labour mechanisms. However, those championing the macro-economic boon during this time were but equivocally impressed by the acumen and rapturous decisiveness applied by this woman. The fact that Thatcher was able to mobilise and execute a war in the Falklands is equally a cause for disdain, baulk; and a characteristic insight into this womans ability to flaw her party and dictate her country: an occurrence rare in liberal democracies.
Upon her death one might reflect upon her atrocious acts of war; against both foreign and domestic state. But it might also give charge to averting ill-will to the dead and a reflection upon the historical significance of The Iron Lady for better or worse

Vicissitude

During the Second World War Japan invaded the Netherlands colony of the Dutch East Indies (the Indoneisan archipelago). Following the Japanese surrender to the Dutch at the end of the war, some 3000 Japanese soldiers remained in Indonesia and went underground to fight with anti-colonial revoultionaries. These Japanese mercenaries assisted in the rebellion against the Dutch and are still celebrated in the Revolutionary Martyrs Cemetary in Jakarta (where this video is shot). Most of the Japanese remained in their adopted state and their families continue to contribute to the national diaspora. At times this Japanese influence often undermined the repressive Suharto regime that wrestled power from the original architects of the revolution (i.e. Soekarno) and imposed a nationalistic fervour that brought death and decay to the nation.

Econasia 6: Vicissitude
M T WALKER
Video 430 2012
Japanese with English subtitles
Sound: Jonathon Nokes | Vox: Jun Miyagi | Text: Soekarno 1967

Vicissitude

世界の歴史で今が一番大切です。

社会と政府は世間の人々の事を考えないといけないのです。

政治にとって一番大切なことは何でしょう?

社会が健全で国民すべてが幸福に生きていける政治が正しい。

ですが、最近の政治は国民のことを考えていない時があります。

実際にいま世界で起きていることを気にせずに、政治家は世界をコントロールすることしか考えていないのです。

この結果は、恐怖から生まれたものです。人は自らの            安全とりんりを必要としている。

はい、私たちは恐怖の世界に住んでいる

現在の人は恐怖に対面している。

未来への恐怖、            爆弾への恐怖、            イデオロギーへの恐怖。

たぶん、この恐怖はその恐怖じしんより危険をはらんでいる。

なぜならば、恐怖心によってひとは愚かなことをする。

WestLink (East West Link)

Work has now begun on determining the exact construction schedule of the WestLink road; and soil samples are currently being evaluated to do so. This road will further attach itself to the stigma many Melburnians already hold against the Western suburbs. The road will tunnel under Footscray proper, emerging at West Footscray and ploughing its way through Sunshine. What the residents of Maribyrnong have asked for is a North-South truck detour alignment going from Footscray Road, past oil holding tanks to the M1, with those nearer Tottenham waiting for a North-South link from the Westgate Freeway at Grieve Parade to the Tottenham railway yards.

But Westlink is not simply about maligning the truck route from the ports to the M1. It is merely a small piece in the development of a grand thoroughfare (the East West Link road) from the M3 Eastern Freeway portal at Hoddle Street to the M80 Western Ring Road and further afield to the proposed Outer Ring Road (OMR). Added to this is the spectre of sinking Hoddle Street itself at crucial junctions (namely Victoria Parade, Bridge Road and Swan Street) to allow for grade-separated intersections and an atrocious environment for those that are already fed up with living in the commission towers in Collingwood. Once again, this is billions of Victorians money squandered on a philosophy of road-building that leaves the 1969 Melbourne Transport Plan for dead. Our money; that which would go a long way in completing themissing linkin the North-East section of the current M80 Ring Road, upgraded freight rail and a dedicated rapid-transit rail system; which surprisingly has Jeff Kennett as its champion. But with traffic-flow guarantees in the road contracts you might doubt that itll happen any time soon.

Cher vs. Rob McDougall

Robert McDougall Video & Sound Artist

Captain Philip (The First Fleet)

We might look upon on colonists and early settlers as rogues; political vagabonds if you will. And were familiar with Western infilitration and Euro-centric exploits that have ravished our centuries. With that in mind, Im drawn to the stewardship of Captain Philip. However, Im more concerned with his global re-positioning than with his conquering and self-important impositions. I mean; as with a vast number of these colonists: when theyd move house they did not fuck around. You might have visited Cooks Cottage in the Fitzroy Gardens of inner-city East Melbourne. That cottage was originally the childhood home of Captain James Cook, European explorer of the Australian East coast. The cottage was de-constructed brick-by-brick in 1933 and moved from Yorkshire to Melbourne in celebration of the European settlement of Australia. But that, of course, was in the 20th Century. Captain Philip wasnt the type to wait over a hundred and fifty years for his estate to arrive post-humously. Philip led the First Fleet on itsmission to colonise and subjugate the Australian continent. The mission was one of utmost importance: the British were utterly compelled to be the first foreigners to settle the continent. This haste was borne out of the fear that the Dutch and the French would beat them to it. So Philip led the 11 ships of the fleet: 1030 people (of which 767 were convicts), 7 horses, 7 cattle, 74 pigs, 29 sheep, and 6 rabbits. And then we get to Arthur Philip and all his shit: This crusading Captain was able to halt the embarkation of the fleet until the Crown had roused all of hiseffects‘ -that which made up over half of the cargo. It was composed of windows fom his house, his cast-iron stoves, tons of his furniture & crockery, and wood cut from his estate. He had a house constructed in England prior to embarking; in sections that were assembled in Australia. I re-iterate: Philips and a surprising number of his contemporaries didnt fuck about with their relocations; although contrarily (as with Philip), more often than not their estates did not stand the test of time in foreign climes, and were obliterated. Curiously, Philips himself ended up back in England living in a whorehouse, anyway.


Australia Day (William Cooper)

William Cooper (1861-1941) was a Koorie man of the Yorta Yorta people. He was self-educated and modestly self-effacing in his pursuit of aboriginal representation in the new Federal Parliament; endlessly petitioning King George V for such a motion. Cooper moved to Footscray during his late adult life, where he joined the Australian Workers Union and became further entrenched in indigenous politics. He represented rural Victorian aborigines in fighting for assistance (which was hitherto denied them), during the drought and depression of the 1920s. His most poignant legacy, though, was his repugnance to an event planned in Sydney1938 to re-enact the January 26, 1788 arrival of The First Fleet, and raising of the Union Jack at Sydney Cove. All aboriginal associations protested the event and Cooper decried January 26 as aday of mourning“. This declaration was the foundation for a tradition of aboriginal protest against what is now popular as Australia Day. Cooper currently lays deceased in an unmarked grave near the Barmah Forest; a tragic sarcasm to the cause that he championed.

Parecon

Participatory Economics  (Parecon) is a contemporary school of socio-economic thought that seeks to change the way capitalism functions in Western liberal democracies. The movement seeks to reform the current state of the capitalist functionary system and alludes to re-distribution of wealth systems. This notion of reform perhaps addresses what a vast number of people reflect upon nowadays; i.e. Why do the CEOs of large companies earn such ridiculous salries? Why do politicians constitute the failed ambitions of lawyers, businessleaders‘, and political hacks? And why do our public institutions suffer for lack of funding and educational resources (eg. underpaid teachers)? And, Is the state of the environment subject to the whim of GDP and profit-margins in private enterprise? Parecon seeks to address these apparent failings of the present state of capitalism. The movement has recently been afforded a boost in the wake of the GFC and current Eurozone crises. Itsstated values are:

  • Solidarity: people caring about one another and being social in their inclinations
  • Diversity: having varied options and outcomes
  • Equity: having fair distribution of wealth, income, and also circumstances
  • Self-management: people having a say over the decisions that affect them in proportion to the extent they are affected

In all, the Parecon movement seeks to create a more regulatory approach to economic advantage; while enhancing the notion of social inclusion. This matter ofsocial inclusion is currently causing confusion in Canberra but I would assert that it harks back to democratic-socialist policies that have their roots in scandanavian socio-political thought: that is, to foster community development (which may well translate to increased funding). However, it is important to note that Parecon has yet to define itself politically; contrarily, thoughthat is cause for joy as it invites input and discussion from all walks of life. Perhaps one to look at if youre interested in econmonics, society and political thought?

 

At the back of Communism by M T Walker.

Iepe Rubingh

Iepe Rubingh is a Dutch installation and performance artist. He currently lives and works in Berlin and has been a practicing artist for just over a decade. Hes renowned for his The Joker Performances whereby he has shut down and disrupted traffic at busy intersections around the world. One such production caused traffic gridlock in Tokyo; for which he receieved a jail sentence of 10 days (which he had no choice but to serve). Below is a video from his 2010 Painting Reality series. In this video some 500 Litres of water-based (non-Solvent) paint is splashed over the Rosenthaler Platz in central Berlin. The resulting artwork serves as both a nod to Action Painters such as Jackson Pollock; but also invokes questions about the environment. However, despite itsovert political overtones; this artwork is splendid to view:

http://www.iepe.net/

The Road to Gundagai

Gundagai (population 2,000) is located on the M31 Hume Motorway and the Murrumbidgee River, almost half-way between Sydney and Melbourne. Despite its modest size this town continues to recieve notoriety; both as a focal point for Aboriginal political thought, and as inspiration for Australian artists -being the epitome of rural Australiana. The area is home to the Wiradjuri people and has long been a significant place of Aboriginal custom, and throughout the 20th Century as home to indigenous political movements. Of these, the late ‘King Billy‘ and his quest for Aboriginal self-determination is significant. As an Aboriginal Elder, he joined John Noble under his anglicised named Jimmy Clements in the entourage of the Duke and Duchess of York (subsequently King George VI and Queen Elizabeth respectively) to open the new Federal Parliament House, Canberra in 1927.

Below are some images captured of two of the historic bridges that span the Murrumbidgee and its flood plains. They picture the 1867 Prince Alfred Bridge that is sadly falling into a state of dire disrepair, and the Gundagai Rail Bridge over Murrumbidgee River which is a railway bridge dating from 1902.

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Photographs by D. Royce Walker & M T Walker.

Writers Bench

Oriel Guthrie directs this documentary film tracing the development of the graffiti scene in Melbourne. Following on from her 2004 short Skip Hop, this film explores the stories and perspectives of those who grew up with the movement, and also those that are engrossed in its contemporary incarnation. It traces the Street Art scene in Melbourne from 1980 until the present day. The film explores its roots in political slogans, through to the development of styles that are uniquely Australian.

The film screens at ACMI weekly, on Saturdays 12th, 19th, 26th of November at 4pm.

The Long March

Below I have included a video display that documents an A2-sized glossy poster I published a couple of weeks back.

The poster itself is a depiction of the historical circumstances surrounding Mao Zedongs The Long March -an event that consolidated the strength of the Chinese Communist Party in the face of itscomplete annihilation. After the march, Mao consolidated and strengthened the party. He then went on to stage a successful revolution that defined the socio-political structures of modern China.

Communist: Chinese

Nationalist: Chinese (now Taiwan)

Imperialist: Japanese

Fundraiser For Familia

For Familia is a music gig coming up at the end of the month. It is in aid of the Familia Moja Childrens Home in Kenya. The benefit features music from the Tantrums, Lowtide, Baptism of Uzi, and Sydneys Melodie Nelson. DJs are also on the scene, with Shags (Lost Animal) and Chris (New War) dropping tunes on the night. The gig starts at 8pm on Friday, 28th October. It will be held at The Workers Club in Fitzroy. For a mere $15 you will be happy in the knowledge that all funds will go directly to the Familia Home in Kenya; where Westerners have volunteered to help the locals build a permanent structure & facilities. The project is aimed at helping children that are affected & displaced by diseases including AIDS, Tuberculosis and Malaria. The project provides a nutrituous diet, shelter, and clothing to suffering poor of the country; with a view to educate and improve the overall well-being of the local community. The home itself is also being built with sustainable technologies and the Familia certainly needs all the help they can get!___________________________________Event  On Facebook


Intolerance (Austen Tayshus)

Born in New York as Alexander Jacob Gutman, Austen Tayshus is a comedian from New South Wales. Well known for his dry, black humour riddled with local colloquialisms; he achieved success in 1983 with his Australiana video/music single/sketch piece. Although an advocate for the Jewish religion (his family are Hasidic Jews), and the state of Israel throughout his youth, his comedic career satirises this culture and often includes bizarre, anti-semitic tirades. He ran for the House of Representatives in Sydney during the 2010 Federal Election as a candidate for The Sex Party, and also in the 2011 NSW State Election with the Outdoor Recreation Party.

Intolerance is an engrossing, witty, and ultimately brilliant comedy short film. It was the winner of Tropfest in 1998 and Id still classify it as Austen Tayshus best work (even compared with Australiana). The short was directed by Paul Fenech (creator of Fat Pizza) under the pseudonym Laura Fienstein, and was edited by David Rudd. Austen Tayshus also appears in the films Holy Smoke and Strange Planet.

Leni Riefenstahl

INFX presents an anti-semitic feast of the highest regard! Herein we feature the entire full-length film of the Adolf Hitler-sanctioned Triumph des Willens.

Leni Riefenstahl began life as a dancer prior to the formation of Nazi Germany. Whilst performing in Prague, she suffered a broken knee, and thence moved into the film world. After gaining notoriety as an actress, she switched to making films. Riefenstahl is well regarded as a cinematic pioneer: she brought new innovations into the development of film propaganda. Her technical and aesthetic achievements in film production culminated in Triumph des Willens. Following a spate of propaganda films for the Third Reich, she completed her Olympia film in 2 parts; travelling to the home of the Olympics in Greece before documenting the 1936 games in Berlin. Olympia is widely regarded as the 20th-century benchmark for documentary. Her use of slow-motion capture and dolly shots tracking athletes was indeed ground-breaking. However, after the fall of Nazi Germany her own career disintergrated. Although not charged before the Nuremburg trials, she remained artistically void until re-emerging as a photographer in Sudan during the 70s; where she documented the Nuba tribe. For this she achieved international recognition, and continued on to realise her dream as an under-water photographer. Following her death aged 101, in 2003, her achievements in film were re-visited and posthumously endowed with the acclaim they deserved (in spite of her employ by the genocidal maniacs of the Nazi party).

Project Coast

Well, we havent really had a chance to discuss politics lately, now have we? No.

This leads me to address the South African Nuclear Programme and its sinister cousin, Project Coast. South Africa is the only country in the world to have abandoned a Nuclear Weapons programme that they had developed independently. The programme was begun with the aid of Israeli Nuclear physicists during the late 60s, and established proper in the mid-70s. The motivation for nuclear weapons procurement was because the South Africans were, at the time, engaged in a proxy war with Cuba; in Angola. The South African government feared that the communists would win in Angola (which they did), and continue domino-effect styles through Namibia and into the Apartheid apparatus itself. And thus the government developed, and tested, their weapons throughout the 70s and 80s. France was a notable critic; warning that diplomatic relations would be compromised. Upon the advent of the anti-apartheid political strength of the ANC (African National Congress), championed by the notorious Nelson Mandela, the South Africans signed the Nuclear Non-Proliferation Treaty and began to dismantle their programme. It was stated at the time that this was to provide South Africa with better international relations. However, it transpires that the South Africans (and their allies) were afraid that an ANC-controlled South Africa would continue to ally themselves with the likes of Gaddafi and other nominally socialist regimes that were a perceived threat to Western interests (i.e. cant trust those blacks with nukes“).

During the development of the nuclear weapons programme, though, South Africa also routinely developed a chemical and biological weapons programme too. This was believed to be, in addition to the nuclear warheads, as a means of defence against foreign threats (again, namely the Cuban-sponsored communist and socialist revolutions in the region). This programme was named Project Coast. On the surface, nothing about this endeavour seemed to differ from other chemical weaponry developments around the world. However, upon the end of apartheid and the installation of the aforementioned ANC-controlled government; it was revealed that the programme was in fact unique and differed significantly, and bizarrely, from anything in the world up until that point. That is, the South African government had also developed a chemical weapons arsenal to use against its own people. It could easily be assumed that these domestic threats were the non-white population and their sympathisers. The story gets interesting, though, when you look at the types of chemicals used in these tear-gas type weapons: They included MDMA, cocaine, ketamine, methamphetamines, diazepam (as in valium) and a host of others that we commonly know as hardcore (or recreational) drugs. Utter insanity. I mean, they must have resolved that if the blacks started to revolt, that the revolution was going to turn out like some kind of drug-addled festival of sorts and everyone would have been off their face. Imagine that, eh? The whole country tripping balls whilst staging a coup? I know these types of drugs (as weapons and such) have been around for decades prior, but it is certainly unique for a country to develop this kind of shit for their own people. Crazy raw.

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