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Vaudeville Smash

Vaudeville

Over a year in the making, Vaudeville Smash launch their debut Album Dancing For The Girl to their home town of Melbourne on Fri the 14th of June at the Corner HotelThe Album has already started garnering some critical acclaim, with Inpress Magazine stating: Its one of 2013s great albums.

Get it herehttp://vaudevillesmash.bandcamp.com/

Vaudeville Smash have not played a show since before their US tour in March. This will be their first Melbourne show since returning home [and] its gonna be BIG!. No, its gonna be absolutely ENORMOUS!!

Tickets $15+bfthrough: https://corner.ticketscout.com.au/gigs/1319-the-vaudeville-smash-

Supported by synth-funk explosion Sex On Toast and jangle rock Phenomenon She Said You.

FROM: VAUDEVILLE SMASH

Givers

It was splendid to meet the guys from Givers -they were very cheerful, attentive, and courteous. But when they hit the stage last night at The Corner Hotel all that changed. Their indie pop form of psychedelic & melodic rock sashayed from the whimisical to a thrashed out, totally heavy prog-rock finale. They were clearly focussed upon the music only, and not mere pleasantries. The band hails from Lafayette, Louisiana in the deep South, but the vocals (mostly by the enchanting Tiffany Lamson and guitarist Taylor Guarisco) are geographically much more varied; perhaps in need of a definitive style. And although theyre touring side-shows off the back of the Laneway Festival and double-headlining with Portugal. The Man I believe this young group is still in its formative stage. Its not simply their melding of styles; but Givers are incompetent in much of their vocal endeavours, and they perhaps need some kind ofhookorthreadin their style that will help define their identity. Regardless, and despite my opine that their hit Up, Up, Up is tired and motionless, they did in fact strut their varied talents quite well and Im still revelling in the fact they were such a nice group of novice rockstars! Have a listen to Meantime and see what you think:

Public Enemy

Just over a week ago, some friends and I witnessed Public Enemy live (again). Although this concert was a long way from the grand expanse of The Forum in Kentish Town, North London, the gig was rabble-rousingly intimate at The Corner hotel in Richmond.
This time round the militia were pumping their tour of 1990s Fear Of A Black Planet. Although they gave the show a lot of effort and their skills were there to thrill -it was all too clear in my mind that these guys had long since fallen asleep at the wheel. Or, to be sympathetic: are now well past their prime.
However, they fronted up for over 2 hours and gave us all a thrilling set. Apart from catching Flava Flav lip-syncing every now and then; everything else was overwhelmingly enjoyable -the fresh set list complete with crowd participation, political spiels, guests (including members of 2 Live Crew) and a tight freestyle battle between Chuck D and Flav that pretty much clinched the value of the $90 ticket, or therebouts. All-in-all, it was a brilliant show for the die-hard fans and certainly no staggering disappointment for the rest of us. And then there were the ageing Aussie homeboys: but that’s another story entirely.

-TW

DJ Krush

Thursday evening saw Japan’s No.1 DJ hit the decks and fx down at The Corner in Richmond.
Reverberating the venue (I refrain from suggesting dubstep) with what could be described as down-tempo tech breaks, the set rocked to the bemusement of the crowd. I must say I could really dig this vibe and it was fantastic to hear Krush in the now; throwing down new, unique and thumping sounds.
However, after half time he realised the crowd were, lets say traditional fans and thus Krushs appeasement then ensured that the rest of the set reflected the mediocrity of the MoWax back-catalogue with a tweak or two on the side.

The video below features half a dozen short clips that give a fairly broad overview of the set.

-RTB

The Gift of Gab

Sunday night, Queen’s Birthday Eve.

We ventured into the Richmondia district to check this mad freestyle rapper and stalwart of Quannum, Blackalicious and various solo and collaborative projects. Although expecting an ensemble of guests and a setlist direct from the forthcoming Escape 2 Mars album, the disappointment dissipated somewhat when the Gab started to spit 2 times for your mind with some nice sounds thrown out from DNAEBEATS. The 2-Piece brought a host of classics including Paragragh President, Deception (Don’t Let Money Change Ya), and Make YouFeel That Way among other new hits Lightyears and El Gifto Magnifico from Mars that certainly rocked the crowd well.

Although the hour passed far too quickly; Here is a short freestyle that was bestowed upon an insatiable crowd:

-Rock The Boat

Kid Koala

Yes,
It is Friday evening here in the Antipodes and although I’ve been quarantined amongst the Digital Cinema Compliance appendages, I have dug up a lovely musical event for you all to peruse and enjoy. Dim the lights, Maestro!

Kid Koala (AKA Eric San) is a native of Montreal; he writes graphic novels and narrates them with his scratch-sonic soundtrack. He’s a turntablist and producer, debuting on Ninja Tune with the 2006 release Your Mom’s Favourite Dj. He was integral in the production of Deltron 3030 alongside Del the Funky Homosapien and in Mike Patton projects Lovage and Peeping Tom.

He’s touring currently -playing in Melbourne this Wednesday night at The Corner Hotel in Richmond. He is presenting ensemble act THE SLEW; of which his website alludes to “a puppet musical about a robot who works at a cookie factory (complete with turntable orchestra pit), a quiet-time headphone / beanbag tour for the non-dancing listeners, and a hilarious Roller-rink tour which should be fun for the whole family” (kidkoala.com).

 

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